Photoshop & Illustrator
Graphic Designer
Designed and executed Nike Basketball Instagram story for NBA shoe and jersey releases on Christmas Day
ADIDAS
Boston Marathon
Pop-up environmental graphics, Copley Square trailer vinyl design
CD: Ryan Thomson
Graphic Designers: Haley Lau, Brooklyn Cochran
Photoshop
Graphic Designer
Nike NFL retail display banners for sporting good stores in Times Square
Keynote
Graphic Designer
Internal House of Hoops deck buildout
Photoshop, Indesign
Production Designer
Billboard, Social Media and Print Ad "We <3" Campaign
Fleet Gear is a prototype hat line forged from ocean plastic. Bionic yarn has made it possible to create and produce apparel, footwear, and now beanies from yarn made of intercepted ocean plastic.
Fleet Gear symbolizes the fleeting moments we encounter when using plastic. Fleet Gear intends to extend the life of single use plastics and support our environment while doing so. Single use plastics and ocean plastic together are a heavy problem. Not one person can move it. But together, as a fleet of vessels for change, we hope to shed light on the impacts of ocean plastic and alternative ways we can harvest the 700 million tons of plastic in our oceans.
Photoshop, Illustrator, Indesign, Google Slides
Production Design
Deck design and asset creation for holiday campaign proposals. Resulting in “Give The Gift of Go”
Graphic Designer
Created designs for 2019 Nike Golf Instagram content proposals
Illustrator, Wacom Tablet, Photoshop
Graphic Designer
STASH Tea on brand, hand illustration mug proposals
Portland themed herb mug was inspired by the Portland Blend Tea with blue corn flower and rose petals.
In honor of a new Elderflower Blend Tea, elderflower and lavender are illustrated with STASH’s word mark
Role: Illustrator & Graphic Designer
Studio: Ideaville
Creative Director:
Client: Street Roots
We partnered up with Street Roots and began to look for a way to create more opportunity and revenue for the company and the homeless community in Portland. With many ideas from one-for-one hotel models to beer, we decided coffee is an established thriving opportunity. With Street Roots, we wanted to create advocacy, break misconceptions, and show that the homeless community is just like us. Street Roast is a series of three coffee bag designs: The Poet, Artisan and Messenger. These are all roles people in the homeless community play a part in. They are aspects that are a part of creating the Street Roots newspaper.
Along with ideating and helping with decision making in every aspect, I mainly focused on the development of characters and illustrating the human forms. I went through many drafts and illustrating techniques. We settled on a punk and modest tattoo aesthetic that could be relateable to the homeless community and the Street Roots supporters. The Messenger, Artisan and Poet all were inspired by actual people and roles within the Street Roots community. To capture these characters, I would first sketch the character out then render them in Illustrator, adjusting them until they captured realism and life. My partner would then go in and enhance the line weights and add texture to give the illustrations the grungy look we were going for.
STREET ROAST
Is a true stimulus package: Every bag sold generates additional income for Street Roots, a nonprofit that creates opportunities for people experiencing homelessness and poverty.
THE MESSENGER
Standing on street corners around the Portland metro area, Street Roots vendors are delivering much more than a newspaper. These vendors are messengers of hope, community, resilience and opportunity.
THE ARTISAN
Street Roots vendors work hard every day to rebuild their lives and contribute to their community in a positive way. Building community with the public to create authentic relationships and create social change makes the perfect artisan.
THE POET
Street Roots hosts a weekly creative writing group to create poetry and other works. Self-expression is a tool vendors use to create self-worth and hope in the world we live. Poetry is published in the newspaper and featured in the annual zine sold during the winter holiday season.
For this class project, we chose companies we wanted to focus on all term and, through research and design, re-brand the company. I chose my favorite bakery in Portland called Sweetheart St. Johns. This company does not have a store front and is run by one woman and her husband. They have pop ups all over the city and make specialty cakes and pastries. Most of her marketing and sales are through Instagram. Keeping this in mind, I created a logo set that would work well on social media and on collateral. I wanted to keep her logo hand-drawn and quirky to fit the Portland scene. Since Instagram is so heavily ingrained in her brand, square imagery and Polaroids are a theme in my brand book and brand displays.
Indesign, Illustrator, Photoshop, Lightroom
Graphic Designer
Stoller Family Estate Holiday Gift Guide Link
Stoller Sales tri-fold
Beaver Athletics, Ideation
NCAA Basketball Tournament Presented by Oregon State University & Toyota. December, 2016, 2017, 2018
Dam City Classic is a revival of the Far West Classic. Oregon State University Basketball teams invite other west coast colleges to participate in the weekend long men’s and women’s basketball tournament at the Portland Moda Center.
I designed the logo to highlight the familiar Portland skyline and the common basketball call out: “Nothing but net!”
The logo has been used for both 2016 and 2017 tournaments; featured on various stadium banners, jumbotron, advertisements, posters, signs and passes.
Benny’s Bites is a redesign of a concession stand at Reser Stadium. The look and feel I designed with bold outlines and clean illustrations will be applied throughout other stadium concessions.
Beaver Athletic Academic Planner 2017-2018 planner
Hand drawn illustrations, watercolor
Photoshop & InDesign
BEAVER BASEBALL 2018
Photoshop Social Media Templates
Our final group project in our Collaborative Processes course, we were assigned clients to assist. Our client was Cindy Gilbert. Cindy Gilbert is the founding director of the Minneapolis College of Art and Design sustainable design program. She also has her own private sustainable ideas company. Cindy asked us to help her brand her company, Alula. She asked us to create branding guidelines, a logo, business cards and a website.
Alula is a finger-like bone in a bird’s wing. It essentially is its thumb. To merge ideas of an alula and sustainability, we created a logo that look both like a feather and a leaf. The bottom portion is a leaf curling up into an indigo feather. This logo can be paired with the typeface or on its own.
We chose Filson soft as our typeface because it is a soft round organic shaped typeface. The hookless “a” also helps play up the palindrome look while still remaining legible and not look too forced.
For color, we wanted bright and energetic colors like our client’s personality. We also wanted a simple clean feel. We chose three colors, white, indigo and teal. The teal we chose is vivid and saturated. We wanted a green to help paint the story of sustainability but without the earthy green. To help balance the unnatural we chose a very natural but vibrant blue, indigo. With the “unnatural” green and vibrant natural blue together you still gain the bio mimicry effect without falling into the “green” cliche seen in this style of design.
Beaver Athletics. Ideation Team, Graphic Design Intern 2016-Present
BEAVER FOOTBALL RECRUITMENT GRAPHICS 2018
In making the recruit and family passes, I used Photoshop to layer and blend the high school athlete’s face, OSU football player’s body/skin type and the player’s number.
SIGNING DAY 2018
Look and Feel
Photoshop
SYDNEY WIESE PAINT by NUMBERS
Illustrator & InDesign
WEATHERFORD BEST COLLEGE TOWN IN THE PAC12 Social Graphic
Illustrator
WBB WEB RENEWAL BUTTONS
Photoshop & InDesign
ACADEMIC ACHIEVEMENT
Word Mark
Illustrator
FOOTBALL 2018 SCREEN SAVERS
photoshop
TRACK & FIELD QUESTIONNAIRE
Photoshop & InDesign
KEEN Footwear came to our class asking us to design a shoe for any woman in the work force.
My teammate and I decided to design a shoe for a woman who is in the medical care field. Realizing how beneficial the steal toe is for women who work in construction, we also imagined doctors would also need a protected toe bed. A comfortable toe bed would also be required and beneficial since most people in doctors offices and the medical field are on their feet all day.
With the iconic look of a KEEN shoe in mind, we slimmed down the shoe, added a cushioned heel for support and a more feminine feel. The colors we choose are inspired by nature's sunrise and sunset. Each color way is different providing either a vibrant and loud color way or a more relaxed and peaceful color scheme. Lastly, we added unique straps for more support and colored soles and stitching for added color pops.
Re-brand of the Joe Beaver show with hosts Mike Parker and Jon Warren
Originally called the Joe Beaver show, Beaver Sports Podcast takes its place. Looking to reach a wider audience, Beaver Sports Podcast wanted a logo that could give their voices an image.
Inspired by traditional caricature, I started the process with quick sketches of Parker and Warren. With Illustrator, I was able to further manipulate and exaggerate features. Matching skin tones, I used the paint brush to shape the illustrations. A wood plank was added to house the show’s name and Oregon State Beaver.
It was really exciting to get great feedback from the athletic department and podcast listeners on social media, as well as from Parker and Warren themselves.
Redesign of the MARINE SCIENCE INITIATIVE Office with vinyl decals
Competition Design Team Winner
Hail Mary’s provides elevated alcohol and healthy small plate options for club level fans at Reser Stadium. Hail Mary’s was converted from an old sandwich cart into a bloody mary bar.
A day before the opening game, the construction of the cart was finished. I executed the chalk art illustrations on the three chalk panels already installed. I was given free rein and had so much fun creating as I went.
From a rough sketch and a list of bloody mary ingredients, I mixed colors for bright attention grabbing vegetables and unified all the hand illustrations with a white outline and wheat illustrations.
